Disneyland Paris to Reopen June 17 as Life Gets More Normal Thanks to Vaccinations

The entrance of a vaccination center against the coronavirus at Disneyland Paris in Coupvray on April 24, 2021.

The entrance of a vaccination center against the coronavirus at Disneyland Paris in Coupvray on April 24, 2021.
Photo: Geoffrey Van Der Hasselt/AFP (Getty Images)

Disneyland Paris, the only Disney park in Europe, will reopen on June 17, according to a new statement published on Twitter from the Euro Disney Group.

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The Paris theme park will be the last of the Disney properties internationally to reopen as people in France get vaccinated against covid-19 and wealthy countries gradually return to normal life—provided they’ve purchased enough vaccine doses for their populations.

“We are pleased to announce that Disneyland Paris will reopen on June 17 with Disneyland Park, Walt Disney Studios Park, Disney’s Newport Bay Club Hotel and Disney Village. Our reopening will follow enhanced health and safety measures,” Euro Disney Group wrote in a statement.

“The long-awaited Disney’s Hotel New York – The Art of Marvel will open on June 21, with sales opening on May 18. We look forward to welcoming you back to the heart of the Magic!” the company said.

Disneyland Paris was originally rumored to reopen in early April, according to the large ecosystem of Disney blogs, but those plans never materialized.

France’s vaccination program has accelerated in recent weeks, with over 20.1 million people receiving at least a first dose. Over 8.9 people in France, or roughly 13% of the population has been full vaccinated. Disneyland Paris has even been used as a vaccination site, as you can see from the photo above.

The covid-19 pandemic shuttered Hong Kong Disneyland and Shanghai Disney in late January of 2020, a ominous sign that illnesses in China were even more serious than the outside world even realized. In fact, when we wrote about the closures in Shanghai and Hong Kong, international health experts hadn’t given it the name covid-19 yet. The disease was known as “2019-nCoV coronavirus.” But when they close Disneyland you know something serious is going on.

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There were only five cases in the U.S. when Hong Kong Disneyland announced it was closing. What a bizarre year and a half it’s been. And what a relief that things are getting back to normal.

Snake Eyes’ Henry Golding Tells Us About Kicking Off a New G.I. Joe Franchise

Henry Golding in a crop of the Snake Eyes poster with his back to camera and face turned, and wearing a sword.

Henry Golding is Snake Eyes.
Photo: Paramount

Snake Eyes has always been one of the most recognizable, popular characters in the G.I. Joe franchise, and now we’ll find out how he got there. The brand new film Snake Eyes: G.I. Joe Origins hits theaters July 23 and io9 was lucky enough to talk to the man behind the mask, Henry Golding, about the character’s mystique, costume, go-to research materials, and so much more.

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Though 2009’s G.I. Joe: The Rise of Cobra and 2013’s G.I. Joe: Retaliation feel relatively recent, Snake Eyes is a fresh take and reboot of the popular Hasbro franchise. Here, director by Robert Schwentke takes the “Real American Heroes” and brings the franchise to Japan. That’s where a warrior named Tommy (Andrew Koji, Warrior) takes another mysterious young warrior (Golding, Crazy Rich Asians) under his wing to become a member of his Arashikage clan of ninjas—the two will become Storm Shadow and Snake Eyes, respectiveley. In the first trailer, which debuted during the MTV Movie Awards, you saw all that along with other G.I. Joe favorites: the Baroness (Úrsula Corberó), Scarlett (Samara Weaving), and a very, very recognizable mask at the end. But, you probably still have some questions about what the movie is. io9 sat down for a video chat earlier this week with the man who can provide some answers—Snake Eyes himself, Henry Golding.


Germain Lussier, io9: Snake Eyes has always been iconic because of his mystique. He was just this quiet badass and the backstory didn’t come until later. Now, from the trailer, it’s obvious this movie is going to demystify that in a very definitive way. Were there any worries about losing some of that mystique and how does the movie use the mystique?

Henry Golding: Absolutely not. I think he, as a character, is so complex, that peeling back the layers, you can only go so far until you hit the Snake Eyes kind of wall. He’s so mysterious in his ways. We catch up with him at the beginning of this movie where he is motivated by things that are so self-destructive that we need to understand them to see why he is so mysterious, and to see why he’s so closed off in ways that we can’t explain. So to be able to kind of balance that was the real goal. And so to give enough to the audience members, to give enough to the fans to sympathize with the decisions that he has to make within this movie, to realize that the mistakes he makes, the choices he brings to the table, the lessons he learns, really affects the man that is behind the mask. So for us, it was so important to be able to kind of peel back at least a few layers because we can’t just have an unexplainable character. You know, mystique is fantastic, but it only brings you so far because the questions will always be there. But does it reveal more questions? Answers lead to more questions. That’s what I’ve learned for this entire thing, is that there will never be enough answers to demystify this guy. He is so complex.

Yo Joe!

Yo Joe!
Photo: Paramount

io9: So how closely does the movie draw from source material like the ‘80s comics and how much is it kind of its own thing?

Golding: Well, we had Larry [Hama] on board as [executive producer]. The legendary Larry Hama was a big guidance in being able to tell his story. And so creating a backstory for not only preexisting G.I. Joe fans and lifelong G.I. Joe fans to appreciate, but also a brand new generation of fans around the world. You got to understand, G.I. Joe really was popular in America but now we’re looking on a global scale. How do we make it so that it is approachable by little kids on the playground in Indonesia or in Vietnam or somewhere? We needed to make it approachable and understandable and not have them have to go back to read Silent Interlude to understand like, “Snake Eyes was like this because of this”’ No. We needed, of course, to have a starting point. Is that the definitive, all questions answered, starting point? Definitely not. We can’t do that. But of course, we’re introduced to the lore of G.I. Joe and its throughlines, which is “What is G.I. Joe without COBRA?” I mean, of course, COBRA plays a huge part in this—and the players we’re introduced to: Scarlett, Baroness, Tommy, Hard Master, Blind Master, Akiko is one of our new characters. It’s not too much to get everything convoluted, but it’s enough to get you hungry for more. That was the goal.

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io9: Did you have any kind of go-tos for yourself and your character research? Was it just talking to Larry or was it anything else?

Golding: It was it was a bit of both, really. It was talking to Larry, understanding what he wanted to create, not what he created for someone else. It’s what he, as an artist, wanted to create and the reasons why he made the decisions he did. I think it was important that I myself, as an actor, concentrate on what I know as the character at this point, because if I’m thinking about things that never happened in my reality, they don’t help me at all. But I know we’re trying to get to here by the end of the movie. So what is happening between these two points? Where it goes? Anybody’s guess. But what I need to understand is what are his motivations in this moment? Where have his decisions from his past led him and why?

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Andrew Koji is Tommy, aka Storm Shadow.
Photo: Paramount

io9: One thing the trailer shows that it does lead is to the costume. I mean, obviously, we want to see your face as the star, but it’s Snake Eyes. His mask is a star too, so what can you tell me about the costume?

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Golding: [It was made by] Iron Head Studios. They do pretty much every single huge costume design out there. And they, together with our amazing wardrobe team, created the all-new Snake Eyes costume [Holds the toy up to the camera]. It’s fantastic. The first time I put on the mask was just like, “Holy cow, this fits like a glove.” And so it’s a modern take on the costume. But I think the joy in the movie is seeing the inspiration from the Arashikage—you see Snake’s costume through the movie change very sort of slowly and slightly—but you see those inspirations mirrored in the final suit.

io9: This is kind of Paramount’s reboot of the G.I. Joe franchise and obviously, we don’t know what will happen until after this movie comes out. But how much do you tentatively know already about what could happen?

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Golding: I’m in the dark as much as you are. I know for a fact that they’re already in the works. Speaking to Lorenzo [DiBonaventura], our producer, they’re already thinking, because we can take this anywhere—but depending on how Snake Eyes does in telling specific stories will tell us where we want to take and how to expand the universe. Because if we jump into just a huge G.I. Joe universe and introduce 12 characters, people are going to be like, “Oh well yeah. Okay, that guy’s cool. That guy does this thing.” But they don’t know anything about them. So to be able to build the characters from day one, I think, is the real gift.

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Samara Weaving is Scarlett.
Photo: Paramount

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io9: What was your G.I. Joe IQ coming into this movie? What did you do to dive in?

Golding: It was hitting all the blogs, hitting all the fan sites, all the Wikipedia pages, the G.I. Joe Wiki pages. [The website] Hiss Tank, I’d listen to those guys. I luckily got my hands on two copies of Silent Interlude and that became sort of bedtime reading for a long time just to really sort of understand who he becomes. But my real concentration was, again, I can’t think beyond. At the time we were filming, I was like, “He has such specific motivations at the beginning of this movie before he becomes the man that we know, that we need to concentrate on these.” A lot of people are like you can water down your character’s thought process or you concentrate on exactly what we’re trying to achieve here. So that’s kind of what I did, but I can’t help but sneak in [some history]. It’s so rich.

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io9: Last thing, will we get Timber in this movie or not?

Golding: That’s everybody’s last question! I’ll put it this way. This is G.I. Joe. [holds arms out wide] This is Snake Eyes’ movie [holds up single finger]. This is the journey we’re going to take [gestures to all the remaining space]. Is Timber in that? Let’s hope so. There’s no ruling it out. And I think, you know, Snake Eyes [with] his trusty companion, I think that would be a special, special moment. So we’ll see.

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Here’s another special moment, an awesome new featurette from Snake Eyes: G.I. Joe Origins.


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Snake Eyes’ First Trailer Gives a G.I. Joe Legend a New Beginning

Henry Golding as Snake Eyes in Snake Eyes: G.I. Joe Origins.

Henry Golding as Snake Eyes in Snake Eyes: G.I. Joe Origins.
Photo: Paramount

Trailer FrenzyA special place to find the newest trailers for movies and TV shows you’re craving.

When you think of Snake Eyes you think of the mask, the swords, the unstoppable ferocity. But how did the popular G.I. Joe character become that guy we’ve seen in comics, cartoons, and toy aisles for decades? We’re about to find out, in a whole new way. The first trailer for Snake Eyes: G.I. Joe Origins is finally here.

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The film stars Henry Golding as the titular character, seen here years before he meets up with the Joe crew. Directed by Robert Schwentke, Snake Eyes follows the character as he becomes indoctrinated into the Arashikage clan, learning the ways of the ninja alongside Storm Shadow (Andrew Koji), the group’s heir apparent, and eventually popular Joe characters like The Baroness (Úrsula Corberó), and Scarlett (Samara Weaving) show up too. But this is the Snake Eyes show and, in the first trailer, you get just a taste of what the film has in store.

The film is meant to kick off a whole new G.I. Joe franchise and if you’re curious to know more, check back soon—io9 spoke to Henry Golding all about it. Snake Eyes: G.I. Joe Origins hits theaters on July 23.


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AT&T and Discovery Are Reportedly in Talks to Combine Content to Take on Disney and Netflix

Illustration for article titled AT&T and Discovery Are Reportedly in Talks to Combine Content to Take on Disney and Netflix

Photo: Saul Loeb (Getty Images)

AT&T and Discovery Inc. may soon join forces to improve their chances against leading competitors like Netflix and Disney in the streaming wars. According to multiple reports, the two companies are in talks to merge Discovery’s reality TV empire with AT&T’s catalog of cable channels and other media holdings to create a new entertainment entity.

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AT&T and Discovery are in the advanced stages of negotiations and an agreement could be reached by Monday, sources told the Wall Street Journal on Sunday. So far, the companies have discussed several major players in AT&T’s WarnerMedia division, including CNN and its TNT and TBS cable channels. If they make a deal, AT&T shareholders would own a big stake in the new entity, according to the outlet. People familiar with the negotiations told Bloomberg a deal could be announced as soon as this week.

Tipsters that spoke with both outlets didn’t reveal terms of a potential deal and cautioned that these talks could still fall apart before an agreement is reached. Both AT&T and Discovery have declined to comment on the matter.

One thing’s for sure, the two certainly have enough content to market a joint venture. AT&T’s cable empire includes CNN, HBO, Cartoon Network, TruTV, and Cinemax, among others, along with the movie roster of Warner Bros. studio. Meanwhile, Discovery’s offerings include Food Network, TLC, and HGTV—some of the most binge-worthy trash TV that cable has to offer (and I say that affectionately).

AT&T’s existing streaming channel, HBO Max, has steadily gained subscribers since its debut last May despite its chaotic rollout, but it hasn’t seen the same explosive growth as Disney+ did in its first year. Discovery’s streaming service, Discovery+, is also fairly new on the scene, and both face steep competition from long-established services like Netflix. So teaming up could certainly give them an edge.

On the other hand, AT&T could be shooting itself in the foot here. It already plans to roll out a cheaper, ad-supported tier of HBO Max in June, which could deter existing subscribers from sticking with their more expensive plan. If people can also watch their favorite WarnerMedia programming on another streaming service like Discovery+, that’s one more reason for them to quit paying full price for HBO Max. It’s like AT&T is determined to undermine its own sales pitch.

Lucifer’s DB Woodside Dishes on Amenadiel’s Baby Mamma Drama

DB Woodside as Amenadiel

DB Woodside as Amenadiel
Image: Netflix

A new season of Lucifer arrives on May 28 with the second half of season 5 and a full eight-episode order.

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As the show comes to a close, actor DB Woodside seized the opportunity to flex to dish to tvline about what fans can expect between Amenadiel (Woodside) and Linda (Rachel Harris), while also talking about his directorial debut.

Last season ended on a serious cliffhanger with Amenadiel and Lucifer brawling with Michael and Maze. But in less violent news, Amenadiel is now a father, and Linda is the baby Momma. He was upset when discovering his child is a mere mortal, and Woodside talks about the character working through that. “More than just his own embarrassment or his own expectations not being met, he’s scared, as he says, by the fact that his son will grow old, his son will be weak, his son will be a target. Those are things that would make any parent scared.”

With that said, Amenadiel has worked out a sweet deal with Linda and will continue to co-parent. “Amenadiel and Linda have developed a really beautiful friendship and have happened upon a great way to coparent. I think they’re friends forever, and I just love all that stuff with Rachael [Harris]. They’re definitely in for some more ups and downs of being a parent, but I don’t think Amenadiel could ask for a better partner than Dr. Linda.”

As for directing, Woodside was a bit nervous about juggling so many people on set. He realized that you see things differently when it’s actor vs. director. “As a director it was different, because as an actor, if I’m in a scene with one of them or two of them, I’m just concerned about what I’m doing, right? As director, I’m responsible for the entire vision, and sometimes actors can come to a scene with a very small point of view and not understand how they’re fitting into the big picture.”

For me, Amenadiel has one of the best character redemption arcs in the series—and I’m not ready for this show to end ever. Lucifer has been a wild ride from start to finish, and I’ve grown attached to so many characters. *Sigh* I guess all good things must come to an end (even though it’s not right now). In the meantime, I am looking forward to seeing Woodside develop as a director.

The second half of season 5 premieres on May 28 on Netflix!


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Angelina Jolie Initially Said No to Starring in Simon West’s Tomb Raider

Angelina Jolie is Lara Croft in Tomb Raider (2001)

Angelina Jolie is Lara Croft in Tomb Raider (2001)
Image: Paramount Pictures

Before Charlize Theron took the mantle as the queen of action cinema, that title belonged to Angelina Jolie, starting with the role of Lara Croft in Simon West’s Tomb Raider (2001).

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The film was the first time Jolie would do intense stuntwork. This fueled her worry about whether or not she was suitable for the part. She told Collier, “I said, ‘I really didn’t feel like that character suited me.’ I actually didn’t at first want to do it; I said no.”

To ease her mind, Tomb Raider director Simon West was patient with her and explained he would give her whatever training she needed. “They said you can travel the world and train with the British Military and so I had three months of seeing what I could do. And I would encourage anybody to do that. Sign up for as much as you can, give yourself a few months, push yourself to the limit and see, ‘What can I do?”

She threw herself into the training to make her action sequences look as realistic as possible. All the hard work paid off as she gave an iconic performance as the video game heroine.

In the interview, she also talks about finding a happy medium between VFX and stuntwork to maximize authenticity. “And I do think the more we have in film that’s visual effects, the more it’s important to do your own stunts if you can because I think the audience knows the difference and it feels real when it is.”

If you want to catch Jolie doing some hardcore stunts watch Tyler Sheridan’s Those Who Wish Me Dead on HBO Max!


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Now There’s a Deepfake Audio Platform Where Celebrities Can License AI-Generated Voice Clips

Illustration for article titled Now There's a Deepfake Audio Platform Where Celebrities Can License AI-Generated Voice Clips

Graphic: Veritone

Whenever deepfakes make the news, it’s almost always for the latest terrifying way bad actors have figured out how to spawn hoaxes or cyberbully people using the AI-powered technology. However, the media industry has found some more practical (and less sinister) applications, such as using face swaps to craft more realistic visual effects, synching actors’ mouths with dialogue in dubbed films, and, now, automating voice work.

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Veritone, the creator behind the world’s first operating system for artificial intelligence, aiWare, launched a new platform this week called Marvel.ai that lets content creators, celebrities, and others generate audio deepfakes of their voices to license as they see fit.

Veritone’s pitch is that media companies and personalities can churn out monetized audio content and generate revenue without ever stepping foot in a studio—because after all, time is money. Built on its aiWare operating system, Marvel.ai produces synthetic voice clips that it claims sound like the real thing for radio spots, audiobooks, voice-overs, and localized content, among other examples.

“With complete control over their voice and its usage, any influencer, personality, or celebrity can quite literally be in multiple places at once,” the company said in a press release Friday. “This would open the door to a new level of scale that was not humanly possible before, allowing them to increase the number of projects, sponsorships, and endorsements they can do in any given year.”

The process, also known as voice cloning, uses artificial intelligence and machine learning algorithms to replicate someone’s voice based on a series of audio samples. The Marvel.ai platform itself functions as both a marketplace where customers can submit requests to use a particular voice model for auto-generated content and a self-service tool that resembles your more traditional text-to-speech reader, letting users pick from a catalog of pre-generated voices to create a customized audio clip.

In an interview with the Verge, Veritone president Ryan Steelberg said it offers another service—a “managed white-glove approach”—where customers can submit voice clips to train Veritone’s systems and produce their own voice clone to license.

Speaking with the outlet, Steelberg explained that while Veritone bills itself as an AI developer first and foremost, it also depends on old-school advertising and content licensing for a large chunk of its revenue. Its advertising subsidiary, Veritone One, is heavily invested in the podcasting industry and places more than 75,000 “ad integrations” with influencers every month, he said.

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“It’s mostly native integrations, like product placements,” Steelberg told the Verge. “It’s getting the talent to voice sponsorships and commercials. That’s extremely effective but very expensive and time consuming.”

This advertising expertise along with technological advances in speech synthesis in recent years motivated the company to construct a better solution. Of course, whether Veritone’s platform takes off is largely dependent on how convincing its voice clones are. Steelberg shared a few examples of Marvel.ai’s finished product with the Verge, which you can check out here, and the clone sounds human enough to me. The tone is a little uncanny in a way I can’t quite put my finger on. However, I’ll be honest, it’s hard to tell if that’s just my brain convincing me it sounds off because I know it’s from a robot and not a person.

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While I know I mentioned before that the media industry is finding less sinister applications of deepfake tech, there is one aspect of Marvel.ai that gives me some serious pause. Whoever owns the legal rights to a voice—i.e. not just the person behind the voice—can use the platform to create whatever audio message they please. And that raises many of the same privacy red flags and potentials for misuse that have plagued the rise of deepfake videos. Marvel.ai can even resurrect the voices of the dead using archived recordings to train its AI systems, Steelberg told the Verge.

“Whoever has the copyright to those voices, we will work with them to bring them to the marketplace,” he said. “That will be up to the rightsholder and what they feel is appropriate, but hypothetically, yes, you could have Walter Cronkite reading the nightly news again.”

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From a technological standpoint, that’s obviously impressive. From a moral standpoint, it’s creepy as hell. I really don’t need to hear Cronkite and other deceased big names reanimated through AI, especially since you know it’s only a matter of time before brands start doing shit like using Princess Diana to endorse Oreos or David Bowie to convince you to subscribe to Spotify Premium. I mean, have we learned nothing from the Prince hologram fiasco?

Anthony Mackie Talks Black Panther’s Legacy and Traveling to Wakanda

Anthony Mackie is Captain America

Anthony Mackie is Captain America
Screenshot: Marvel Studios

When the new title of Black Panther dropped (Black Panther: Wakanda Forever), everyone was lit. Since then, actors in the MCU have discussed the Black Panther experience.

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First actress Lupita Nyong’o spoke about returning to the Black Panther set without Chadwick Boseman. Then Michael B. Jordan expressed his excitement on the new title and whether Killmonger is returning to the sequel. Now, actor Anthony Mackie (Sam Wilson/Falcon/Captain America) is weighing in.

Mackie sat down with ET and expressed his feelings about the new title. “It’s dope,” he says. “I feel like continuing that legacy is very important. There are a bunch of amazing actors and actresses under that Black Panther mantle who are now going to come together, and that legacy will live on. So, I’m really excited that they’re showing that it’s not specifically about Black Panther, but it’s about Wakanda.”

Bucky has one foot in Wakanda as he was a guest of T’challa after the end of Captain America: Civil War, and while there, he receives a new vibrainium arm. Falcon and the Winter Soldier often reflects on Bucky’s connection to Wakanda, but Wilson has also benefited from having close ties to the African country as his new flight suit is created by Wakanda genius Shuri.

When asked if Falcon will return to Wakanda via the new Disney+ show World of Wakanda, this is what he had to say, “I do have a Wakanda visa, so I can go to Wakanda as much as I want,” the actor laughs. “I have a passport and a Wakanda visa, and I’m vaccinated so I can go to Wakanda.”

Whether he will appear in the new film is up for debate, but Mackie just wants the Black Panther sequel to honor Chadwick Boseman, “You just want to do everything the right way. I don’t know what that answer is. I don’t know what that right thing is. I just want to make sure that it’s done right for him.”

As the new Captain America, Sam Wilson is bound to show up in some capacity throughout the MCU. For now, we’ll just have to wait for some definitive news!

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Mary Elizabeth Winstead Adds to Her Action Resume With Netflix’s Kate

Mary Elizabeth Winstead in Netflix’s Kate

Mary Elizabeth Winstead in Netflix’s Kate
Image: Netflix

Mary Elizabeth Winstead is looking to stake her claim in the action genre with her new role in Netflix’s assassin revenge thriller Kate, directed by Cedric Nicolas-Troyan (The Huntsman: Winter’s War) and written by Umar Aleem.

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Troyan told EW about a particular scene in Kate that made him super anxious. “The hardest one to shoot was the one with Mary and Miyavi inside the apartment,” says Troyan. “We couldn’t shoot that with stunt doubles, so they had to do it themselves. You had two actors that are doing very, very close-contact stunt work. We thought something bad could happen there. This one was definitely making me nervous.”

Looking at Winstead’s filmography, her career has been leading up to this point. She’s never shied away from the action genre. Starring Dan Trachtenberg’s 10 Cloverfield Lane elevated her to another level, but starring in Birds of Prey as Helena Bertinelli, aka The Huntress—sealed the deal. Winstead gives insight into who Kate is and what to expect from the film.

“Kate is a ruthless assassin who is on a job in Tokyo, and she gets poisoned,” Winstead tells EW. “She finds out she has 24 hours to live before the poison kills her, so she sets out on a mission to find out who poisoned her and kill them before she dies. Along the way, she forges this bond with this teenage girl named Ani (Miku Martineau), and they end up taking on this mission together. It’s a heartfelt, brutal, assassin story!”

Kate is releases globally on Netflix this fall, and hot damn, I am excited!


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Legends of the Hidden Temple TV Reboot Aims to Capitalize on Nostalgia

Mayan Heads on set of Legends of Hidden Temple

Mayan Heads on set of Legends of Hidden Temple
Image: Nickelodeon

Many of you are too young to know what Nickelodeon’s Legends of the Hidden Temple is, but those who do should remember how it was the most lit kid show on television. The CW is looking to tap into that nostalgia by reviving the show, but this time for adults.

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The show was Nickelodeon staple from 1993-1995, and created by David G. Stanley, Scott A. Stone, and Stephen Brown. Legends of the Hidden Temple was a mix of inspirations, mainly from Indiana Jones. As contestants compete for treasures by completing tasks that require running through a set of fake Mayan Ruins and encounter temple guards to throw them off the challenge. Kirk Fogg was the show host, while the almighty Olmec, a giant Mayan head, is voiced by Dee Bradley Baker.

According to Variety, the logline for the show is as follows. “This time, the entire show is taken out of the safety of a studio setting into a “mysterious jungle” with tougher challenges and bigger prizes. Five teams begin the journey, but only one is “strong enough and smart enough” to enter the ominous Olmec’s Temple, avoid the Temple Guards, retrieve a lost treasure and return it to its rightful owner.”

They are also bringing back many aspects of the original like Olmec and task like temple run. All the original team names will be back as well.

For those of you unfamiliar with Legends of the Hidden Temple, watch this clip on youtube. I don’t know if the show has aged well because I haven’t watched it in a while, but I remember the show being great fun.


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